In September I was lucky enough to have the pleasure of a couple of hours of Liam Gallagher’s time to shoot a magazine cover and 12-page spread. Here’s a detailed breakdown of my thought process, creative ideas and how the shoot was executed on the day.
You've seen him dive the deep depths and hang off skyscrapers just to get the shot. This time, photographer Benjamin Von Wong takes it a little easy on the daring part of his latest project, but the passion and message are just as strong. Let's take a behind the scenes look at Von Wong's latest shoot, "Toxic Laundry."
Everyone's favorite nostalgic sci-fi series debuted its second season on Netflix just a few weeks ago, but if you're like me, you took just a few days to watch all nine episodes. Among the many compelling things the Duffer Brothers pull off in their show, using clever scene transitions is something any video editor will notice. This video pulls together 25 of the most creative edits from Season Two of Stranger Things.
Knowing how to visualize a shot in your head before you take it is an important step in the creative process, else you're simply firing off shots and hoping for a good edit to come out of the process. This great video follows a landscape photographer from pre-visualization all the way to printed photo.
Be honest: when was the last time you drooled over the latest piece of gear? If you're like most of us, it was probably more recently than you'd care to admit. And while there has been a lot said on the subject, I think this rant really cuts to the heart of the matter.
Like most technology we own, our cameras will eventually stop working. Not only is this bad news for our bank balances, but if a camera were to die mid-shoot then it could potentially land us in a world of professional problems. Minimize these risks by knowing what to look out for and the kind of plan you need to have in place for when that inevitable disaster strikes.
Ultra-high-resolution photography has been around for years now but the technical difficulties associated with the creation of gigapixel images tend to limit the artistic output of this type of photography. People find it incredibly fascinating and like to explore every little detail of a scene, but they wouldn't want to put one on their wall as artwork. The aesthetic is often sacrificed in the race for resolution. That’s precisely why a group of photographers joined forces to create a collective called VAST in order to conciliate beauty and high definition.
I have heard several photographers complain about how slow Adobe Lightroom is. While I agree that Adobe needs to make some improvements to their photo processor and image organizer, there are a few things we can do on our machines to help Lightroom run a little more smoothly.
Sometimes, a photo needs a little text to really complete the message or the look, but slapping it on without trying to blend it in just makes it look like a terrible watermark. This fun tutorial will show you how to blend text into whatever object you please to make it look realistic.
A lot of photography revolves around your ability to be prepared when the moment strikes and be able to adapt quickly as the scenery and required settings change. One of the best ways to be more efficient and increase your chances of getting the shot is by using custom controls, which this great video goes into detail about.
I’ve written before about the elements of a good image for the sake of the image, and just recently about how pouring yourself into your own development will result in stronger photography. There’s one element that both of these fail to touch on. There is one element that strongly separates those who produce lasting images that their clients love and those who produce a one-off hit that gets forgotten days hence. That element is a deeper connection to the subject, a knowledge of it, an ability to express it that nobody else has. This is a connection between yourself and that subject, a mutual understanding that results in unique and beautiful images.
Nothing makes me forget that winter is just starting and I'm basically going to be uncomfortably cold for the next five months like a nice photo of somewhere warm with sun rays peeking through. This fun tutorial will show you a relatively quick and effective way to add sunrays to a photograph.
"Hell Is Here" is the title of Biplab Hazra's photograph of a burning elephant calf that got him this year's Wildlife Photographer Of The Year Award from Sanctuaryasia.com, which describes itself as India's leading nature and wildlife conservation portal.
One month ago, in a freak soccer accident, I was flipped on my head and snapped my collar bone. Besides the excruciating pain, my mind immediately ran through the calendar of jobs I had lined up as a freelance photographer and videographer in the coming weeks that I knew I’d have to navigate with one arm. Panic quickly set in.
On November 9, ON1 software released the latest version of their flagship editing software. Photo RAW 2018 looks to move ON1 further forward to being a genuine alternative to Adobe suite as an all-in-one photo editing tool. Touting a variety of critical new features Photo RAW 2018 promises to be the strongest iteration of the software to date. In this review, we will be putting Photo RAW 2018 through the gauntlet to determine if its latest new features move it closer to that goal.
In a lot of genres, you have to shoot quickly and efficiently, lest you'll possibly miss an important shot. In other genres and situations, being in too much of a rush can be what actually causes you to miss the shot or come home with less-than-stellar results. This great video examines the idea of patience.
At this point I have lost track how many times I have been given inaccurate counsel from other well-meaning people, such as, "Make sure you copyright that so nobody can steal it," or "If you put it online then you give up your rights and it becomes public property." Such advice will only ever come from people who don't actually understand copyright laws. When it comes to copyright issues and navigating them, the only advice worth following is advice that can be backed up by law. If you receive advice that can't be backed up by legitimate copyright law then the advice is simply someone's opinion.
I hate having my pictures taken. It’s common, but still ironic, to have a photographer who dislikes being on the other side of a camera. This fall, I made a promise to my wife that we would have our family photos taken and I was able to experience the entire process of hiring and working with a photographer. It wasn’t my intention to treat this as a learning opportunity, but now that all is said and done, I can say that I have learned a lot. Experiencing the client’s perspective, watching another professional operate, and the renewed perspective gained for what a photo is worth are among many things I came away with from our session.
One thing I've found to be of paramount importance to any form of video, cinematic or otherwise, is the quality of your sound. Your movie can have beautiful visuals but if the audio is of poor quality it has the potential to turn away viewers. I started vlogging a few months back and discovered just how important sound was when it came to producing my videos on YouTube. Soon, I realized just how bad the audio was and knew it was time to invest in a proper solution. Enter the Rode VideoMic Pro Plus.
In April 2016 I featured a video of one of my favorite places on Earth: Lofoton, Norway by the brilliant filmmaker, Dennis Schmelz. Well, Schmelz is back at it again, this time with The Beauty of Greenland in glorious 4K.
Trying to decide between Canon and Nikon may seem like a no-brainer for many professionals with years of experience. For the most part, when a professional picks a certain camera manufacturer it's for the long term and they rarely switch. Previously the cost and time required to make the transition from one to another was simply not worth it, especially considering the fact that the differences in real-world use were mostly minimal. Recently, however, it seems the gap between Canon and Nikon seems to be growing with Nikon cameras being noticeably better. Jared Polin gives his thoughts on the current line up between Canon and Nikon.
Facebook recently announced the launch of a new tool aimed at preventing cases of revenge porn, an act in which an ex posts intimate imagery of their former partner without permission in an attempt to humiliate or cause the person serious distress. While obviously well intentioned, the program has a major flaw and highlights a future where photos of every part of our lives will not always be a good thing.
Being involved with video more and more recently, I have been wondering this myself, why choose a cinema lens over a regular photography lens when it comes to video? Photography and Videography are similar in many ways, however, video seems to be a whole different world when it comes to codecs, shutter speed, lighting, lenses, aperture, focus, and so on. In this video, Greg and Caleb share some knowledge on what lenses should be used where.
Is your photography business leveraging the power of video to reach new clients? If not, you’re missing out on a great opportunity the likes of which haven’t been seen or may never be seen again. This was the powerful message that I heard at the Social Video Marketing Summit. Having been in attendance I want to share with you what I think are the top three ideas I learned from Gary Vaynerchuk, Brian Peters, Sue Bryce, and Sally Sargood that I think will help photographers take advantage of this medium.
Beyond a slick website and a professional logo, and even beyond your incredible photography, your brand is what matters to potential clients. If you’re having trouble booking clients, or even defining where your business fits within the saturated photography industry, it may be time to reevaluate if your brand is strong enough to stick out. Having a photography business doesn’t mean you also have a brand. Brand building is a very intentional process. Here are a few areas to pay attention to if you feel like your brand may need a bit of work.
Using new creative techniques for your wedding clients is the best way to stand out from the crowd. While this technique is not considered new by any means, it might be the kicker that sets you apart from the others on your prospective brides' list of photographers.
Whether or not you are a purist, there are times when you have to change the color in post production of something you've photographed. This video will tell you how you can easily alter hair color of a portrait to whatever hue you want.
Fashion Photographer Alexi Lubomirski recently sat down with Kyle Hagler, president of NEXT models, for an intimate and candid chat about the modeling industry and what photographers can do to succeed. Hagler offered an array of fantastic advice that almost any photographer can draw on. Solely focusing on abstract aspects of what makes a great photographer, he is able to provide advice that resonates in a unique way.
Reflex is a new brand aiming to give 35mm film photographers a new camera option instead of going with a dated SLR design (the 13-year-old Nikon F6) or buying in the used market. But it’s not just a rehash of the classic film SLR design. Users can change film using a special “I-Back” system, and even change out the lens mount quickly and easily.
Often when retouching skin we want to clone away high contrast blemishes without also cloning the texture surrounding it. Advanced techniques such as using frequency separation can be a great help to make this sort of thing easier by separating detail from broader tones. One often overlooked technique that does a great job of preserving mid-tone detail while cloning is to leverage the power of blend modes to target only bright tones or dark tones when cloning.