"The Moment After The Show" is a new book being put out by photographer Matthias Willi and journalist Oliver Joliat. The book documents over 100 different rock stars in the moments after they get off stage after playing a show. It covers various artists from the likes of Kid Rock and Queens Of The Stone Age to people like Peaches and Gnarls Barkley. Check out some of the pictures from the book and if you would like to purchase a copy, it can be found here.
Ever since the middle of high school, I've been immensely interested in "the process." You know, that middle bit between point A and point B that nobody but the artist ever sees. I've always loved peeking behind the scenes to see where something started and what kind of work and thought went into creating the finished product. To satisfy those of you who are just like me, here's the second post in my before/after series which not only shows you my images straight out of camera and the final product, but which uses each image to explain a bit more about what I do in post. If you want to dig in way further than these, I cover every step of my post processing in my Editing + Consistency class. Enjoy, friends!
What happens when you take a technology from the early 90's and use it in your photography business in 2014? Just ask Jeffrey Bennett, a professional wedding photographer based in Detroit who in 2011 decided to start producing GIF animations for each one of his engagement sessions and wedding nights, which resulted in many happy clients, a lot of interest from potential clients and of course beautiful results he can then share online.
People often think that modeling is just about looks. This misconception turns a beautiful person into just a body with no skills. Modeling is not about having the perfect "looks." The key to successfully modeling is the mindset. With just one thought, a photographer can take his or her models to the next level.
Thanks to redditor Gypp and his amazing sense of humor and creativity in photoshop, the world now has an abundant new array of animals to appreciate. How would you like a Guinea Lion or a Purilla to be roaming in your neighborhood? Which one would you keep as a pet?
I guess I’ve always been different; I’ve never really yearned for a big studio space. As a freelance photographer, the majority of my clients require that I come to their location and shoot on-site. I have a strict organizational-mobile system to transport all my equipment which includes over 8 strobes, 2 scrims and a plethora of staging props and modifiers. I’m asked quite often about my studio and where I shoot all these incredible portraits and dramatic fashion editorials. The answer is easy; my living room.
This is the second part of the article on how to learn to "read" lighting in photography. If you haven't read the first part yet, please start here: How To "Read" Light In Photography - Part 1.
And for those of you who have been waiting for the second part, let's jump right back in and see what other cues we can use to breakdown lighting in other photographers' work.
It's easy to think that models are perfect in every way because when we see images of them they have had hours of hair and makeup, they are lit by some of the most talented photographers on the planet, and then they are retouched by the most meticulous Photoshop artists around. In this post we get to see side by side comparison shots between each model without makeup and then after the full production. Each of these models looks pretty normal except for the last one that looked incredible even without makeup.
If you've dug through your camera's settings a few times, you've likely ran into the Color Space setting. You may have asked another photographer what it all means, and they've probably just told you to set it to one or the other, and forget about it. However, both sRGB and AdobeRGB have their advantages and disadvantages, so how do you distinguish one from the other?
This past week I've been sleep deprived, socially inactive, and holding a camera in my hands for more than I ever have in my entire life. You see, this past week I've been working with PRO EDU to film my first tutorial series to go on sale at the Fstoppers store this summer. Though learning a lot about my own work and process, I think I learned the most when I used a rented PhaseOne IQ250 system for one of my shoots.
Photoshelter is hosting a webinar featuring retoucher Kristina Sherk this week, and to advertise the webinar they posted an animated gif showing before and after Sherk got her hands on the image. I was shocked, as Sherk not only easily erased 10 years off the model, but even more amazingly did it without making it look fake.
When an opportunity presents itself, be prepared. That’s what Syracuse photographer, Jody Grenier, found himself in three weeks ago. Every morning Grenier stops by one of the iconic locations in Syracuse, Clinton Sqaure; always looking for a photo op if it arises. At 5:30 AM on November 30, he had his camera at his side for a special capture.
Merely two years ago, Stanislav picked up his first camera: a Lumix G3 for $600. From that point forward his inspirational journey began. The majority of his mind-blowing work was taken in his attic using friends as models. Now he is known as Sean Archer - a natural light photographer who specializes in female portraits. His work is proof that it’s not about gear. It’s about the photographer; it's about the vision of the artist.
This is yet another article of the Secrets to Crafting Top-Quality Beauty Portraits series. If you haven't read the first three, you can find them here: on compositing, on shooting Beauty portraits on location and in studio.
Today I would like to talk about framing, posing and directing your models when shooting Beauty portraits. While lighting and compositing are very important parts of creating a striking image, the model's pose, facial expression and her body language can make or break it.