Learn How This Dramatic Portrait Was Shot With Just One Light and a Reflector

No doubt, when you are first learning about artificial lighting, it can feel very foreign and difficult to master, particularly when it seems like pros are using complex multi-light setups for all their shots. However, you might be surprised by how much you can accomplish with one light, a reflector, and strong knowledge of the fundamentals of lighting. This excellent video tutorial will show you how just such a shot was created and the process the photographer went through to create the final image.

She Dies Tomorrow: An Interview With Cinematographer Jay Keitel

She Dies Tomorrow has been celebrated for its unsettling sensibilities and unorthodox filmmaking techniques. Independent Spirit Award-nominated cinematographer Jay Keitel's work on the film is one of the main factors in the film's moody success. I recently had the chance to ask Keitel a series of questions about his approach to filmmaking on She Dies Tomorrow.

Why Do I Forget to Photograph?

I am a photographer but I often forget to shoot. Isn't that a ridiculous thing to say? I must admit, it's my reality more often than I'd like to admit.

How to Use Three Different Kinds of Hard Light for Portraits

Portrait photographers spend a lot of time working on creating flattering light, and in photography terms, that almost always equates to soft light. However, hard light can be just as effective, particularly if you want to add a bit of drama or want to accent certain elements of your image. This excellent video tutorial will show you how to use three different hard lighting setups, including a gridded reflector, Fresnel lens, and parabolic umbrella.

Unique Holiday Gift Idea: Photograph Your Own Pet Calendar

The holidays months can bring extra leisure time, and there's nothing more rewarding than spending that free time on a challenging photography project. During last year's fall holidays I decided to turn my available energy into something creative and fun: a pet calendar for 2018.

We Are Lady Parts: A New Way to Tell Stories About Bands

We Are Lady Parts, the story of an all-Muslim-female punk band in London, is a groundbreaking collaboration between creator Nida Manzoor and cinematographer Diana Olifirova. Not only is the plot compelling and refreshing, but Olifirova and Manzoor also use a variety of filmmaking techniques to develop character, move the story along, and visually excite their audience. I had a chance to speak with Olifirova about putting Manzoor’s project on screen.

Reciprocal Gaze: An Exclusive Interview with "Visitors" Director Godfrey Reggio

Thirty years after their original collaboration for Koyaanisqatsi, filmmaker Godfrey Reggio and Philip Glass are at it again with documentary where the audience is placed in an unusual situation: watching the varied expressions of others interacting with technology. This video, an Fstoppers exclusive, gives you a look into the mind of Godfrey Reggio while making the film.

2 Easy and Cinematic Lighting Setups From Music Videos

Music videos have been some of the most condensed displays of cinematic creativity for decades now, and there is a lot that can be learned. Here is a breakdown of some excellent lighting used in a music video.

Create Cinematic Lighting With Tube Lights

Lighting equipment can be expensive, confusing, and cumbersome, but it doesn't have to be. Some of the most interesting and enjoyable lights to use are much cheaper than studio strobes and can unlock real creativity.

The Photo Creators: A Boutique Conference for Hands-On Learning

Not all conferences are created equal. While I am a big fan of the large conferences, sharing a room with hundreds of people isn't always the best way to learn. So, if you still want to learn from big names such as Lindsey Adler and Joe McNally, but in a small hands-on environment, then The Photo Creators may be what you are looking for.

Could You Save This Messed-up Footage?

No doubt, modern cameras and editing software have allowed us to push edits to extremes we would never have dreamed of previously, but still, to ensure the best image and video quality and significantly reduce our work at the computer, getting things right in camera is best. That being said, there will be times when things need some work in post. This neat video challenges four colorists to correct severely askew footage and will teach you some great methods in the process.