Every food shot will have some type of background that the subject sits on. A few months ago, I showed you how you can paint wooden boards to make a beautiful and versatile background system. If you don't have the storage space for a wooden board system, or are just getting started in food photography and want something a little simpler, I have a solution for you! Let me show you a background material that any level of photographer will find inexpensive, portable and versatile!
Does winter have you climbing the walls looking for something to do? Do you need some new or more interesting backgrounds for your food or product photography? Well then perhaps this DIY project is just the thing for you.
I am trying to brush up my photography skills in areas I am not overly familiar with. This week it was beer photography, and boy did I learn a lot.
Have you ever looked at a picture of a dish and been embarrassed? It could be that a sliver of drool escapes from your salivating mouth. Or you could be a crowded place and looking at a food shot causes an embarrassingly loud rumble from your stomach. Looking around and pretending that it wasn't you won't save you. The food photographer and stylist have done their jobs. They have made you hungry. So how did that do it?
Does seeing a towering stack of pancakes with syrup running down the sides make your mouth water? What about a rich and thick caramel sauce flowing over the top and sides of a slice of cheesecake? The sauce or syrup pour shot is one that will make your viewers mouths' water. When creating these shots, I like to piece together several pours to make the perfect pour! Here is how I plan and execute a pour composite.
This short but awesome behind-the-scenes video from Adrien Veczan shows his setup and technique for capturing a product photo of a bottle of cranberry vodka. Check out the video and then read on to hear a little bit more about his approach and method, which utilizes different lights to paint different parts of the bottle for his final image.
From national magazines to local papers, media outlets of all sizes like to cover restaurants. If you are a photographer who shoots editorial assignments, there is a good chance that you have been assigned to cover a dish at a restaurant. Over the last couple of years, I have photographed hundreds of dishes at restaurants ranging from white table cloth fine dining establishments to hole in the wall hidden treasures. Here are some tips that might help you with shooting a dish for an editorial client.
There are loads of different options when it comes to food photography backgrounds. However, they can often come from places that you wouldn't necessarily know about. Let's have a look at the most common ones that I use in my studio.
If you are a professional, or an aspiring professional photographer, you rely on your photographic work to bring you financial rewards. Self satisfaction alone, won’t pay rent, put gas in your car, or food on the table. If you want to earn money from your pictures, then you will have to find someone to pay you for them. Here are a few strategies that you can implement to start selling your food photography!
There are certain stores that I can walk into leave with a full shopping cart and wonder, "Where did the last hour and a half go?" This is what happens when I make a trip to my local hardware store. If you are interested in photographing still life, food, or any other table top project, the hardware store is full of inspiration. Let me show an aisle that is filled with amazing ready to go backgrounds.
I scream, you scream, we all scream for ice cream! Photographers may scream when they hear that ice cream is what the client wants. Ice cream is not easy to work with. Once it starts melting, it is done and you need to move on to the next dish. Unless you are shooting in a freezer, the working window for ice cream isn't very long. There are many different ways photographers and food stylists will approach ice cream. For this series of pint-sized sundaes, I let the ice cream's container be the guide for the styling.
You don’t have to stand on the table to get those beautiful overhead photographs of your latest fabulous food creation. Forget the tripod and pull out the multipurpose C-stand.
I have always been a fan of concepts so simple that the simplicity is almost the subject. Paris' own Florent Tanent has come up with a gorgeous little series of food still lifes, entitled "La grande Epicerie de Paris", that showcase the minimalism as much as it does the food being photographed. I really dig some of these shots, hope you will too, Enjoy!
A stone background provides a great look for many food shots. The only problem is the weight that comes with it. Spend a day hauling around large stone tiles and you will understand the price that comes with this great look. There is a solution though. Let me show you how you can still have the same great stone look that is easy on the back and the wallet.
Before we jump in, it is important to note that I was brought in on this food project to match an already in place look and feel for the client.
The menu at the restaurant was expanding and the client was in need of capturing updated photographs of the new plates that were starting to be served.
This tutorial is a quick rundown of a two strobe lighting set up that was shot inside a restaurant.