Every time a photographer puts his or her work on display, whether in a gallery, online, at a local cafe or wherever, it gives viewers a glimpse of what that photographer saw when they made the shot. But it's just a moment, a flash of time captured in ones and zeroes, then printed or shared on social media. It doesn't, however, tell the entire story of how the photographer made the image.
I recently returned from 10 days of camping in the Swiss mountains, having just taken one of my favorite climbing images. As is often the case, it was another lesson in humility: sometimes, you need the person in your photograph to tell you what you’re doing wrong. Here’s how it came about.
You read that right: ARRI makes compromises in order to make good lenses. The logic behind those decisions is similar to the one behind making digital camera sensors carry more information in the green channel than the other two. It's about image perception, not about mathematical perfection.
A couple of months ago I was given the opportunity to photograph Korean-American stylist, lifestyle blogger, and digital influencer, Chriselle Lim for the cover of Female Malaysia magazine. It’s always exciting to be able to shoot a cover for a magazine, especially one that is the leading fashion and beauty magazine in Malaysia, and I particularly love photographing strong, successful women. Gotta be around these role models!
For many photographers, space can be an issue when it comes to your shooting area. It can be difficult to obtain a variety of looks when you are working with just one room. However, with just a few small changes, you can give your clients more than enough to chose from to create an album.