If you are an avid outdoor photographer like myself and will be in the New York area next week, you’ll be delighted to know B&H Photo and Video is holding their annual OPTIC Outdoor, Photo/Video, Travel Imaging Conference this coming June 2-5.
Late last month I did a post on my ongoing problems with Adobe and the Creative Cloud software and apps. I sometimes find Photoshop unreliable, as well as Bridge. I've also had numerous crashes with the Creative Cloud app too. There were a lot of good comments on my piece, and I also attracted some of the good folks at Adobe who were anxious to weigh in on my experience, which I welcomed.
If you want to continue to grow as a photographer you need to have honest, real time feedback and yes, criticism. Sure, you can ask a friend maybe see if Mom wants to flip through your portfolio and you might get some feedback but more than likely you’ll get some “wow, that’s a cool shot” or “Honey! This picture is lovely!” but no really push back on your composition or lack of. So, go find a photo editor.
Photoshop and I go way back. I had the first version in 1990, and it has served me well as a photo editor for both my landscape and deep sky work. Over the last couple of years, though, every time I use Photoshop or Lightroom in their Creative Cloud versions I can't help thinking something is wrong.
Opinions are like cameras: everybody’s got one, and it should be upgraded once in a while. If you love giving feedback on photography, great, but make sure you're doing it in a way that’s right for the giver as well as the receiver.
Every photographer needs a good website; that's a given. What isn't so obvious is should you have a contact page? What about a photo on your bio? Is it best to have multiple galleries or everything on one landing page? Today Lee and I review a few websites to show you what does and doesn't work when displaying your work.
Every couple weeks we release a new episode of Critique the Community where Fstoppers members can submit their best images to a genre specific contest for a chance to receive feedback and win a free Fstoppers original tutorial. This week, we changed things up and selected only 5 star images to discuss.
How long do you spend looking at an image on Facebook versus an art gallery? The duration we spend admiring someone’s work depends on the context, but to what extent can you stall viewers on your own landscape photography?
Dear Thumbtack, you’ve been a major national player in service-sector networking, including the field I love, professional photography. I appreciate the jobs I accessed through you in the past. But the door on that past, I’m sorry to have to say, is closed.
Why do we care so much what people think of our photos? Do we shoot for others or do we shoot for ourselves? Does it help us progress by having strangers or even people we know comment on our photos? What about formal reviews by so-called experts?
One of the most beneficial activities I have partaken in in my time as a photographer and something I encourage everyone to do is seek critique of your work. It’s a great way to learn about your own work from others and develop your craft with intention.
Selfies can be a really polarizing thing: some see them as a way to share one's experiences with a network of friends and family and document memories, while others see them as contributing to a culture of narcissism and bringing with them a host of growing problems. This thoughtful video takes a look at the culture that enabled selfies to explode in popularity, a culture that started long before camera phones were a thing.
Episode 27 of Critique the Community took one of the most popular genres here on Fstoppers and added a twist. We asked the community to submit any landscape or cityscape shot taken above 50mm.