Fine Art

Chris Knight Produces the Bible of Dramatic Portraiture

In an industry saturated with educational materials, navigating the minefield to find which resources are valuable, and worthy of your hard earned money, can be rough. As a photographer, I have purchased countless tutorials, books, and magazines. I have poured through blogs, YouTube videos, attended numerous workshops and endured some questionable Facebook Live sessions. When I tell you I have discovered a gem, it isn't because this is my first time mining.

Self-Taught Photographer Lia Konrad Creates Epic Images Using Simple Tools

Not every photographer needs lavish resources and an army of helpers to create dramatic images that belie their basic production. Lia Konrad is a 23-year-old fine art photographer based in a small town in Germany, but she hasn’t let modest resources stop her from following her passion to create epic images inspired by her love of fairytales, myths, and fictional stories for her website Liancary.

Can Photography Be A Calling? Lauren Greenfield Spends 25 Years Documenting Wealth

Can photography be more than just work? Can it be a calling? How do you know? And what if that calling coincides with a transformational period in world history and you are called upon to document every move? Lauren Greenfield’s new exhibition and book, “Generation Wealth” is a time capsule a quarter century in the making.

The Pros and Cons of Frequent Model Collaborators

If you've been shooting any type of portraiture for a significant amount of time, you will likely find yourself working with a handful of subjects (or perhaps even just one) on a recurring basis. Most of us have been there, or are there right now. Perhaps you have one specific model that you've worked with for years (your "muse" as it were), or maybe you go in phases with a different select model for a few months before moving on to another. But is this practice a good idea or not?

Five Tips for Shooting Black and White Landscapes

The next six months is prime time for shooting black and white landscapes, especially on those gloomy days which can add drama and "wow factor" to your images. I have some compelling reasons why I think you should consider converting from color to black and white.

A Photo Exhibit Without Photographs?

As a photographer, I take and see a lot of photographs. As a photographer who does a fair amount of work for an art museum, I see a lot of art. So, I don't really know how to feel about this new concept I just found out about (via a user-submitted story idea! Go ahead and submit things!) that involves using a mobile device to view a photography exhibit... that has no photographs hanging in it!

Techniques to Improve Your Composites from Film

Many photographers have that one muse who inspires creative projects, knows exactly what the direction is, and is always the perfect collaboration. One artist found his own muse in himself when he set forth on a project to capture every stage of emotion of his own work. Creating composites from film, this artist brought a new light on the emotional range that photographers face everyday.

Human Body from a Blind Photographer's Eye

American Photographer Ted Tahquechi is shining a light on visually impaired artists through his own thought-provoking body of work, "Landscapes of the Body." After a car accident in 1999 left him almost completely blind, Tahquechi found himself having to explore new and dynamic ways to capture the world around him on film.

Stairways That Take You Back to the Future

Balint Alovits is a photographer based in Budapest, Hungary who created a showcase of Bauhaus and Art Deco caracoles. He calls them "Time Machines." He assures me that these stairways really exist and that they aren't computer generated. He found their location online at first, but then developed a special sense, knowing if he saw the ornate front doors or large glass paneling, there was a good chance there was a special stairway inside too.