Photographer, director, and writer Tyler Shields is known for his world class, oft avant garde, work. We've covered many of his previous over-the-top projects here on Fstoppers, including feeding a $100,000 purse to a crocodile, his Mouthful exhibit, and blowing up his Rolls Royce Silver Shadow — all in the name of art. Shields is at it again with his fine art series Sirens which blends the genres of landscape and nude in a beautifully surrealist way. In this video, Tyler takes you behind the scenes in a look at the creation of some of the Sirens images.
That's 10K – as in your 4K monitor, but not really...because it's 10K. Yes, photographer Joe Capra created a stunning 10K time-lapse with a PhaseOne IQ180 that shoots images with a resolution of 10,328 x 7,760 pixels. While this video is clearly put together in a proof-of-concept style, the clips still astound. We can't expect anyone to be able to view this at a real 10K resolution (the video is edited to 1080p and zooms in to show the full resolution), but the least you can do is view it in HD in full screen, at which point it becomes a gratifying kind of dizzying.
Vincent Laforet Adds Las Vegas to His New High-Altitude Series Along with Lofty Goals for Social Interaction
From now until December 24th, Hasselblad is offering 40 percent off of their H5D series of cameras and lens bundles. They are also offering 20 percent off of lenses when bought with H5D, H5X, and Certified Pre-Owned bodies. If you've been waiting for the right time to purchase a Hasselblad, this may be it.
When alpine photographer Kamil Tamiola was tapped to become the key photographer for a campaign announcing Phase One's Capture One Pro 8 software release at Photokina 2014, he had his work cut out for him. Nine weeks of planning went into this powerful concept of imagery that would be used as the subject for processing in the soon to be introduced software. In this video Tamiola takes us on a behind-the-scenes alpine exploration to Glacier Geant just above the town of Courmayeur in Aosta Valley.
Announced through Digital Transitions, is the new A series from Phase One. The A series is a line of medium format camera systems, with the power of mirrorless technology. This new system combines the power of Rodenstock optics, and ALPA bodies, making the first digital medium format camera system without the use of a mirror and in a much smaller package.
Los Angeles-based Italian photographer Guido Argentini produced a series of work called, "ARGENTUM " (Latin for silver), that will be released as both a fine art book and as a film that looks into the making and thinking behind the photographs. Each model -- all of which are professional performers -- was completely painted in a metallic body paint. The effect results in an interesting study of the human form (and, specifically, of the female form) in a way that is not sexual, but perhaps quite objective.
At the end of any speaking engagement I'm involved in, I usually offer a bit of advice which includes "Don't go into debt over this". If you're just starting out, trying to make a go at a career in photography, you need to focus on learning the craft, mastering your equipment, and trying to build your business to a point where you have a steady and somewhat consistent income. The business of photography is a constant ebb & flow, and if you don't have the intestinal fortitude to endure lean times, then it's probably not the right profession for you.
We’re sitting on the precipice of game-changing year for photographers. 2015 is going to be the year of medium-format. Ricoh (formally Pentax) dropped a bomb this year with a sub-$9,000 medium format camera. There are even rumors about Sony and Mamiya teaming up for a medium format rangefinder of some kind. Yes folks, the competition is heating up, and this version of “king of the hill” is already getting nasty.
Ever since Benjamin Von Wong took a leap of faith and left his successful career as a engineer to persue his artistic passions, he has kept a legion of die hard fans enchanted by his ability to turn the ordinary into epic. Whether it be organizing complicated pyrotechnics, photographing surreal scenes of ultraviolet models, or chaining models to a shipwreck 25 meters below the surface in Bali, Benjamin has never been interested in being ordinary. In his insanely creative mind, his thought process of "If it's not epic, than what's the point?" has led to some of the most memorable photoshoots in the last several years.
Hasselblad and PhaseOne are officially flip-flopping as PhaseOne just added its no-WiFi IQ150 following a much earlier IQ250 announcement and Hasselblad is now releasing a WiFi-enabled version of its H5D-50c. In addition to WiFi, the new version brings several firmware-related improvements that will find their way into the current H5D-50c and CFV-50c models via a future update.
At a $5,000 "discount" compared to the IQ250, the IQ150 seems almost identical in every way. While we don't currently have much information, we do know that the IQ150 features the same Sony 50MP CMOS sensor that is featured in the IQ250, Hasselblad H5D-50c, Mamiya Leaf Credo 50, and Pentax 645z, boasting the same native and useable ISO range of 100-6400. The only [in]visible difference is the lack of WiFi and $29,990 price tag (compared to the IQ250's $34,990).
In a perhaps not-so-surprising turn of events, Leica has entered the medium format CMOS market with their new Leica S. At 37.5 megapixels, this doesn't seem to be the same 50-megapixel Sony sensor everyone else is using, naturally. This time, Leica means business with a weather-sealed magnesium body capable of 4K video at 60fps and 3.5fps still shooting between ISO 200 and 6400. Looking for the more traditional CCD version? Leica updated that, too, with the new breakout S-E.
Following in the footsteps of the Hasselblad H5D-50c, PhaseOne IQ250, and Pentax 645z comes Mamiya's 50-megapixel CMOS solution, the Leaf Credo 50. Available with PhaseOne/Mamiya DF, Hasselblad H1/H2/H4X/500-series, and Contax 645 mounts, the Leaf Credo 50 opens Sony's latest medium format sensor to a greater range of systems still loved by many. But is it cheap?
As a commercial photographer, I specialize in product, food, and architecture. One of the products we've been shooting a lot of lately is jewelry, specifically jewelry for catalog use. In my opinion, jewelry is one of the hardest things to photograph, and many photographers don't know where to start. Whenever we're tasked with photographing shiny, reflective, spherical objects, our studio sounds like a group of sailors on leave with all the profanity flying around (often times strung together to make complete sentences).