When it comes to shooting on medium format, you’d be forgiven for thinking that starting out involves a heavy investment. The Mamiya 645 Pro, by contrast, is refreshingly affordable and the modular design means you can tweak your setup to your heart’s content.
Scientists at the Rijksmuseum in the Netherlands have stitched together 528 photographs of one of Rembrandt’s most famous works to create an image that weighs in just shy of 45 gigapixels. You can now visit their website to zoom in far enough to see beyond even the brushstrokes.
For many photographers and videographers, part of the fun of having a mirrorless camera is the wide variety of lenses that can be adapted to the body due to the shorter flange distance made possible by removing the mirror. In this article, we'll be taking a look at one such adapter, the Steelsring Nikon F to Fujifilm GFX Smart Autofocus Adapter.
Back in the days of film, the 6x6 format was highly popular among a lot of photographers. Even today, a lot of photographers would still love to have a square format digital sensor. This great video discusses a wealth of 6x6 film cameras, what they are like to shoot with, and the sort of images you can take with them.
Phase One’s new XT is the modern-day version of the large format field camera, complete with field camera movements and spectacular large format style lenses. Its distinctive design combined with an IQ4 brain and its innovative tools make for a head-turning technical camera solution.
The Mamiya 645 Pro-TL is an all-around great medium format camera for those in search of a something customizable, compact, and affordable. It’s not just me saying it.
Fujifilm has revolutionized the medium format digital world. Their cameras came in at one-tenth of the cost of the existing players, and they want to make them even cheaper! I have worked with the GFX 50S for several months and own a GFX 50R, so when I had the chance to spend a couple of days with the GFX 100, I snapped it up. I'll share my experiences with it here.
Phase One Labs is a new function available for Phase One IQ4 150MP and 150 Achromatic digital back owners. The lab offers beta versions of features currently in development, allowing photographers to provide feedback for future releases. Even though it’s only in beta, the first feature is a doozy.
In a very open and broad-ranging interview, Fujifilm’s General Manager, Toshi Iida, has revealed exciting plans for the company's medium format GFX range of cameras.
Yes, it’s true. A medium format point and shoot camera actually exists. I wasn’t really into it at first, but have completely fallen in love with it after a few outings. It may well be the only camera I never sell.
Previously, we compared a 4x5 film camera to the Canon 5DS R, and the film camera was able to produce incredible results. We mostly focused on the differences in depth of field for that comparison. With 4x5, you're able to produce beautiful bokeh and extremely shallow depth of field. In this latest video, we decided to look at the differences in resolution.
Have you ever wanted to shoot medium format but don’t know where to start? Have you been wanting to try shooting film but 35mm doesn’t seem like it’ll be enough? The RB is here to help.
I recently got the chance to use the new Hasselblad X1D II for a week. It was my first experience with medium format and required a bit of adapting on a learning curve. Here are my first impressions about the body, design, lenses, and general usability of the camera.
For those of you who haven't heard of Hasselblad, they were one of the first cameras used to shoot from space and are known today to be one of the top medium format companies around. With a recent release of their X1D II and a unique digital back for their v-system, what is it like to shoot with one of these cameras?