Larger images provide a world of options for photographers, but if you're not careful, more pixels could mean more problems. If you're one of the many photographers finding yourself with a new high resolution camera after the holidays, here's a guide to wrangling that newfound resolution.
Every now and then, it's nice to be reminded of how spoiled we are and how much information really lives inside our raw files. Whenever we capture a raw image, we have a plethora of information at our disposal. That's all well and good, but this one example really helps bring it home.
Zhong Yi Optics has just unveiled their latest lens, the Mitakon Speedmaster 65mm f/1.4. This is a medium format lens designed specifically for Fujifilm GF mount cameras like the GFX 50s.
With the wealth of options out there for lens-adapting and DIY modifications, many industrious photographers are taking things to the next level. The process of adapting anamorphic projection lenses to a take-up lens has been well-established for years now.
Medium format photography offers a wide variety of benefits in terms of image quality, but is it possible to try to achieve those results when shooting on a camera with a much smaller sensor?
What do you do if you want a camera that has the quality and gorgeous depth of field of medium format with the immediacy and fun of an instant? Well, if you're a hardware interaction designer, you take the front half of a Hasselblad 500C/M and attach it to the back half of a Fujifilm Instax Mini 9.
Hasselblad has just released one of the fastest medium format lenses out there today and after being able to test it out, I think its safe to say that this thing is awesome.
Fujifilm's newest medium format bodies beat everyone else on price. But will they be good enough to convince us to buy them? At least one of them will be.
Medium format cameras can produce wildly impressive results, but they generally come at wildly high prices. Fuji may be about to change all that, as it seems they're preparing to release a medium format camera at a full frame price.
For most people who know the name Edvard Munch, there’s an immediate association with his iconic painting, "The Scream.” This artist, fabled for his emotionally impactful painting, is not known for his photographs, but his lens-based work will soon be available for fans of art and photography.
Phase One introduced today the new XF IQ4 system, the first medium-format camera with 151 megapixels and Capture One Inside.
It's no secret that I'm a big fan of Fujifilm cameras, and their Instax cameras are part of the reason why. I've owned several Instax cameras over the last few years, and now the SQ6 might just be the best one yet.
Just about second to what you can only find at NASA, the Hasselblad H6D-100c represents the pinnacle of digital photography today. Dive into this review to understand where and why this monster system might be worth it.
For many architectural photographers, tilt-shift lenses from Canon are the go-to option. These particular lenses are quite possibly the best available, and although Nikon has their variants, they just don't seem to be as good as Canon. The problem, however, is that Canon doesn't currently offer the best camera to put those lenses on with cameras like the Nikon D850 and Sony a7R III offering much better noise performance and dynamic range. In this video, I adapt Canon lenses to Fuji's medium format camera.
It has been just over a year since the release of Fujifilm’s entry into the digital medium format market, the Fujifilm GFX 50s. Fstoppers reviewed the camera a few months later, and I talked about it as a travel and portrait camera a while later. It’s an exceptional machine, there’s no doubting that. But after a few solid months of using it, how do I feel about it? The initial “wow” that comes with the honeymoon phase is over now, so what’s left?