This past week I have been bombarded with this poppy, silly and downright hilarious song. My co-workers play it nonstop, my two daughters won't stop singing along to it and the other night while at a local bar a group of very happy drunk people attempted to dance the signature pony-style dance. If you haven't seen South Korea's PSY's quirky 'Gangnam Style', then you must be living under an interweb rock.
A while ago we posted the video Dream Music Part 2, which has since blown up and become a huge hit online. Marc Donahue, one of the co-creators along with Sean Michael Williams, shot me a link to their behind the scenes reel, which shows timelapses of timelapses, using various setups with their Dynamic Perception Dolly kit.
One of the greatest experiences in watching films is when the sound and image work together in a cohesive unit that drives the intended emotions home for the viewers. Creating that experience takes the work of highly skilled professionals, like Hans Zimmer and Richard King. In this video, they discuss their workflow on the new Batman movie "The Dark Knight Rises", talk about Bane's voice, creating effects for the Bat, and give viewers a taste of what it's like...
With Music Festival season now in full swing, right now is a great time to experiment and take some awesome photographs. Prize winning photographer and Nikon user, Morten Rygaard has 5 tips for making your music photographs better.
Guns N Roses was one of my favorite bands growing up. I recently read Slash's biography and realized that his friend Robert John had not only shot all of those iconic album images, but he also documented the band's entire road to stardom. Of course I had order Robert's book Guns N Roses, The Photographic History. If you enjoy band photography check out this interesting documentary on how he made the book, and what it's like photographing the most dangerous band in the world.
Admit it, we have all done it. Whether you used Napster to download music illegally when you were in highschool, made a mixed tape for a friend, or put music behind your last Youtube video, none of us have paid for music properly in every instance. In most cases we know what is right and wrong but there are still many misconceptions about licensing music. In this article Matt Thompson of SongFreedom.com goes through 7 legal and moral misconceptions when it comes to using popular music.
Music and visual components have always been used together as a form of art, most famously in the music video. As technology expands so does the way we use it for expression. The people over at Frucor (V Energy Drinks) recently challenged Joel Little, lead singer of Goodnight Nurse, to create a single track that could be played (mixed) live using only a body's movements in this unique musical and visual journey of a marketing campaign.
We've seen these iconic images before, but ever wonder who shot them? Here is just a preview of what you can see at the traveling photography show titled, "Who Shot Rock & Roll?" which is currently at the Annenberg Space for Photography in LA until October 7, 2012. Displaying over 175 images, these Rock & Roll stars shook up musical history.
Projection Mapping became a big hit in the past few years, and many brands use it for making cool looking ads outside over big buildings. Basically they all use the same shticks: Changing what you see in windows, making bricks fall down, or making part of the building explode. This is why AntiVJ's "Omicron" is so different.
The company Petzl hosted "RocTrip China 2011", where elite climbers from all over the world came to China to climb some of the most spectacular arch rock formations ever found. Video of the local farming town and the climbing event itself was captured, but instead of a traditional narrative edit or linear progression, the edit is driven by music that has NAT sound from the video clips mixed into it, creating a unique presentation that has an incredible flow to it. Confused? Check the video and let me know what you think. Some wallpaper sized photos of the epic landscape after the jump.
For his music video for the song Rivers and Homes, J.Viewz shot a 'normal' music video, had 2000 of its frames printed out, and re-shot and -animated together shots of several hundred fans holding those stills for the final piece -- and the fans can tag themselves, too. While time-consuming, this is an elegantly simple idea with a great end result...
My buddy Paul Mckelvie in the UK just showed me this music video for Benga that he worked on a while back as a runner for the video's directors, Us. The concept is fantastic and the execution turned out great. Once Us had the idea for the video, the next problem was trying to figure out how to actually do it. There was a lot of math homework, calculating the number of records per second against the frame rate. It worked out to be that 960 records would be the equivalent of 1 minute and 20 seconds worth of wave form.