Avalanche for Mac is an interesting product for Mac photographers, and it has one function: to get your images out of one application catalog into another. With all the changes in photo applications, it's easy to switch to something that seems more useful, but often, the catalogs don't come along with your move. As catalogs embed more and more editing metadata, it gets even harder.
Lightroom totally dominates the realm of digital asset management (DAM) — a solution to everything, it fits the mold of most photographic workflows. However, the bitter pill to swallow can be the treacle-like performance and that monthly subscription (something I've touched upon before). Photo Mechanic, renowned for its blisteringly fast performance, offers a new solution. Is it a Lightroom killer?
Computational photography and AI is one of the most exciting new frontiers in photography, with features ranging from automatic sky replacement to entirely automated portrait processing. This great video takes a look at Topaz Sharpen AI and if it can work enough magic to make a cheap lens look like a more expensive one.
In my look at the new features of ACDSee Photo Studio Ultimate 2021, I was excited to see the inclusion of color wheels and tone wheels. I first started using this style of editor in video production; it’s a big part of what gives stylized video like Mad Max its distinctive look. When editing photos, however, it’s a great, intuitive way of working with the luminosity and color ranges in your image.