I once started with the top of the line Canon flash with a remote controller. Even though those flashes very good, they can have too little light output for off camera flash. That is why I started looking for a portable studio flash system and I ended up with the expensive Profoto system.
Are you looking for a new flash and intrigued by the Profoto A1? Maybe you’ve seen the internet rumblings about Godox’s V1 light and the alleged backdoor drama between the two lighting companies and wondered if this new light beats the top priced flash? Which round flash is the best bang for the buck and should you switch or stick with your square flash?
I’m always on the lookout for new ideas for unique backgrounds, especially ones that work in small spaces. If the background is easy to set up and can be configured from material or gear I already have, well sign me up. So when I saw the title to Gavin Hoey’s latest video, I knew I had to watch it and if you are also looking for something small and easy, I suggest you watch this video.
When it comes to lighting your subject, there are many different ways to do so and many different tools to help create and shape the light. If you do not have a ton of modifiers for your strobe but you do have a V-Flat, here's one way you can use the V-Flat to create soft light in your shot.
Photographer Aaron Anderson has once again created an amazing set of images that came from an idea he could not shake. It's often been said that anyone can do something once but to keep coming back with impressive results is what differentiates the best from the rest.
Just about every photographer at some point has found themselves in a situation on set where the disparity between light temperature sources causes significant color casting in ways they don't want. In my experience, the most common problem is when you have to contend with traditional incandescent light bulbs in frame, but you're using strobes that are (mostly) balanced to average daylight light temperatures. What's the best way to fix this in Photoshop?
Fashion photographer Christopher Cavanaugh was brought on for this photo project that took place in Los Angeles by creative director Terrel Mullen as a collaboration project to expand both their portfolios. It expanded their portfolios and expanded our appreciation of what can be accomplished from behind the camera.
Every time I go to a theater I can't help but admire the images I see in movie posters, especially those in action and superhero movies. I've wanted to try and take an image in the style of some of my favorite Marvel movie posters but wanted to make sure I could find a model with the right suit to pull off the look. Fortunately, I found just that and more.