Lightroom has enjoyed dominance in its area for over a decade and has been the go-to raw processor and catalog tool for many photographers. However, rivals have been creeping up and improving gradually, with Capture One 20 now being considered by many to be better in some regards.
Now, more than ever, there are a ton of reasons to switch to a different camera ecosystem. whether you're making the switch from one brand to another or just switching to a mirrorless system. If you've been doing photography as a hobby for a long time or make a living with it, you've probably built up a collection of bodies, lenses, and even some flashes all within the same system. Sure, you can get adapters from Canon to Sony or EF to RF, but that's probably just going to save you a few bucks.
For many photographic applications natural light is almost always preferable — the only problem is, oftentimes the quality of that natural light is either too harsh or too diffused. This tutorial discusses the conditions for good natural light, and how you can reproduce it using some inexpensive equipment.
One of the worst myths in the photography industry is about how high quality gear is required in order to produce high quality results. This mostly nonsense and as you develop your skills within the industry, you'll quickly realize how gear, in general, has little to do with the quality of results you can produce.
Being a good photographer often means knowing where to position your lights to create the desired effect. However, the placement of your lights is only part of the equation; sometimes, it's just as important to set the color of your lights as well. In today's video, I'll show you three different lighting setups that also use color to alter the final images.
It can be intimidating when you see some behind-the-scenes photos of studio setups, and there are multiple lights everywhere, and you only have one light. While sometimes, it does come in handy to have multiples, there is a lot you can do with only one light. Could you do a high-key portrait with only one light?
One photography technique I've always been interested in learning is how to photograph ink in water. The resulting images are beautiful on their own, but having a library of ink clouds and paint explosions for use in composite work is also super valuable. In this video tutorial, I'll show you some of the best tips and tricks I've learned capturing ink in my own studio.
Today on our new Fstoppers Live channel, we had the chance to interview Vasyl Nykolyshyn, the owner of Raycrown accessories, about a brand new shoot-through octabox concept he has designed. Not only is this light modifier wind-resistant and easy to build and break down, but it can also be used off-axis as a large soft light and on-axis as a massive ring light. Let us know what you think!