Five years ago I filmed the iPhone Fashion Shoot, a 10-minute video in which I take professional looking images with the iPhone 3GS. That video was supposed to inspire photographers who assumed that their work was suffering because their gear wasn't ultra expensive. The video became extremely popular and became very polarizing. The majority of people thought my images looked good because I used fancy lights.
For the last five years people have been asking me when I was going to revisit the iPhone Fashion Shoot. I had already proven that you can take a great picture with any camera, but when was I going to prove that expensive lights and modifiers aren't what make images look good? At first I said I never wanted to do another professional photoshoot with my phone because I didn't want to become "that iPhone photographer" but as time went on I thought, ahhh who cares. When I heard the iPhone 6s was coming out on September 25, I decided now was the best time to create a new video to prove once and for all that quality photography can be taken with any budget.
Like the first video, I wanted to take professional looking images but this time I was going to make it so simple that absolutely anyone would be able to recreate my shots. Instead of using a fancy studio (which was actually just my garage in the last video) I decided to do the shoot around my house and then outside at the beach. Instead of seamless paper I decided to use backgrounds that anyone could easily find. Most importantly, I limited my lighting budget to about $40 maximum per shot.
- iPhone 6s 128 GB (literally any other camera would work as well so I'm not interested in hearing that an iPhone isn't a cheap camera)
- Black foam core
- White foam core
- LED flashlight (I can't find the exact brand)
- LED panel
The Beauty Shot
For the first shot we set up on my porch. One thing that I didn't make obvious in the video was that we were standing under a roof. That is very important when it comes to getting this look. All humans, but especially women, do not look flattering with light coming from above them (the sky). Lighting from above creates long shadows under the nose and chin and dark bags under the eyes. By placing ourselves outside under a roof we were able to get directional lighting from the front and we then used black foamcore to create more dramatic shadows on the side of Mela's face. We then finished the image with a white piece of foam core to get white behind Mela's hair. After about 20 minutes of Photoshop we created our final look.
Harsh Fashion Lighting
For the second shot we bought a piece of fabric from Walmart for around $5 and taped it to my wall. I then used an LED flashlight positioned right above to phone to create a flat, harsh-looking fashion image. We tested the iPhones "flash" and it looked much worse than the flashlight positioned just a few inches higher. The iPhone's flash is so close to the lens that it didn't create any shadows on Mela's face at all. By using the flashlight I was able to get a slight shadow under her chin which added to the aesthetic. We weren't paying attention during the shoot and the shadows on the background were a huge pain to fix in post. We spent the most time in Photoshop on this image and it still has issues. If this was a "real" shoot, we would have been much more careful.
Laying On Hardwood Floor
We tried a few complex lighting scenarios for this shot but ended up sticking with something super simple. Mela simply laid on the floor, I stood over her, and my assistant and I worked on getting a flattering angle with our flashlight. Simple is usually best. We did very little in editing for this final image.
Sitting On The Sand
I actually got a lot of great images in this location that look very different but to keep the video concise I only edited one shot for the video. I positioned myself and the model so that she was being lit by the brightest part of the sky so that I could capture detail in the sky behind her. We then added a LED panel on the left and a piece of white foam core on the right to brighten her up allowing me to darken the scene even more. In Photoshop I darkened the scene even more to make it a bit more dramatic.
Laying In the Dunes
This shot was totally natural light. I almost didn't put it in the video but I liked the final shot so much I decided to keep it in. In Photoshop we did some basic blemish removal and dodging and burning to make her pop off the scene a bit more.
Sitting In The Water
The final shot was very similar to the fourth. We used the LED panel as our key light in conjunction with our ambient light and a white piece of foam core to the right. In post we decided to remove the bridge and distracting parts of her hair.
About The Model
Patrick found Mela on Instagram last week and we convinced her to drive down from Wilmington, N.C. (to Charleston, S.C.) for this shoot. She is an incredible model who is capable of completely changing her look from shot to shot. She also did all of her own hair, makeup, and styling. She will be moving to Miami, Fla. in the near future and I have no doubt she is going to blow up in the near future. Follow her on Instagram here.
When I released the last iPhone Fashion Shoot video I was shocked at the response. Photographers were actually angry with me and many of them tried to argue with me that a cell phone isn't as good as a professional DSLR. OF COURSE IT ISN'T. That isn't the point. Yes, the iPhone, a flashlight, and foam core is enough to create a professional looking image online but a $6,000 camera will always be better.
The point is that today, with this amazing technology at each of our fingertips, you can no longer blame your equipment for your body of work. A talented photographer can create compelling images with any set of tools just like a talented musician can create beautiful music with a cheap instrument. The most expensive guitar in the world will not be able to create music if the person holding it doesn't know how to play.
Your gear isn't holding you back, stop worrying about what you don't have and get back to mastering your craft.