The Great British Photography Challenge ended with a twist: Rankin picked joint winners. Although each and every participant of the series will have a chance to take advantage of the doors that only someone like Rankin can open for them, Tyrone Williams and Jackson Moyles were named co-winners of the inaugural season. I had the chance to speak with Tyrone and Jackson to find out what their participation in BBC's series was like.
Articles written by Mark Dunsmuir
Somewhere between Allen Funt and season 245 of Survivor, reality television has become the most popular genre of television. We’ve seen a handful of photography-centered shows, but not nearly enough. Frankly, even I got tired of watching the drama of America’s Next Top Model just so I could watch 10 minutes of photography. Thanks to Rankin and the BBC, we’ve been giving something much better.
She Dies Tomorrow has been celebrated for its unsettling sensibilities and unorthodox filmmaking techniques. Independent Spirit Award-nominated cinematographer Jay Keitel's work on the film is one of the main factors in the film's moody success. I recently had the chance to ask Keitel a series of questions about his approach to filmmaking on She Dies Tomorrow.
Renowned Scottish photographer, Rankin, has teamed up with Relate, the UK's largest relationship support provider, to help reduce the stigma related to later life sexuality. Shot with a stark black and white style, Rankin and Relate have produced something quite special.
About a year ago, I wrote an article about the importance of cleaning your camera as we faced the reality of a COVID-19 pandemic. Based on the science at the time, I strongly advocated for a "better safe than sorry" approach. Recently, the CDC has published a brief explaining updated science on surface transmission.
We're being treated to another short-form behind the scenes tutorial from Nathan Elson. This time, Elson is taking us into the studio to show us his techniques for using a single light to create soft even light across a subject.
Nathan Elson is back with another installment of his "How I Got the Shot" short-form tutorials. This time, Elson is sharing his process for creating an image using light reflected from his seamless as his key.
One of them spent decades making decisions with the intention of fitting into community norms, creating stability. The other threw caution to the wind and jumped into a world of creativity with both feet before really understanding what life and responsibility were all about. Both Fin DAC and Mick Rock have ended up in the same place, near the top of their chosen artistic fields — inspirations for anyone following in their footsteps. What's even better, they're collaborating on a new show.
If you haven't seen the tempest growing in Wyoming, a fox named 15M was euthanized this week because of its growing habituation to humans. You might be asking, why is this news on a photo-centric site? Throw in an as-of-recently much-maligned, world-famous photographer and maybe you're interested?
Nathan Elson is back with another installment of his How I Got the Shot. As always, it's the little details he shares about his process that makes tuning in so valuable.
There are hundreds if not thousands of posts discussing why creative vision is the most important aspect of photography. Why, then, are we so obsessed with gear?
It has almost become a truism: social media creates mediocrity. In an effort to gain a share of the social media pie, artists are rewarded for blending in, not standing out.
YouTube and photography blogs seem to be all stocked up with quick BTS videos these days. We see photographers swinging lights around and talking about post, but I don’t think we see enough of their thought processes. Here, with Nathan Elson, we get a little bit of everything.
As Gray Kotzé points out, there are bushels of reviews for entry-level cinema lenses on the web, lenses you might look to pick up on sale maybe. However, most feature films are shot on prohibitively expensive lenses that were always intended to be rented out over their multi-decade lifespans. The cost for these lenses puts them out of reach for most filmmakers who aspire towards ownership, but, if you have a budget and you're looking to shoot feature/cinema quality films, it's important to understand what's available for rent.
Without doubt, there is a sub-culture of photographers who adore Lego. Count Benjamin Bezine among them. Bezine has used Lego, a Raspberry Pi personal computer, and an integrated LED to create an automated film to digital, erm... contraption, scanner.
In his trademark understated introduction, Ted Forbes acknowledges that technology is a charged conversation for photographers. Photographers are something of a Luddite-like bunch. On the whole, we seem to have a preference for the technology we learned the craft on. Be that a medium format film camera, a digital DSLR and an early version of Photoshop Elements or a more modern mirrorless, we seem to stand up against the tide of change like it's in our DNA. What are we going to do about the rise of machine learning?
Troy Hyde, owner of Animals of Montana, is appealing the ruling of the State of Montana's Department of Fish, Wildlife, and Parks to revoke his license. As photographers, we should care, as Hyde has been supplying captive animals to photographers for decades. Apparently, he's been doing so in a way that mistreats the animals.