A v-flat is one of the most versatile tools any photographer working in a studio can have. And while you normally think of them as something used to modify lighting on the subject, you can also use them to create dramatic shadows on the background that can completely transform the mood of your photos. This great video will show you how it is done.
When it comes to athlete portraits, dramatic lighting is the world standard. There are many ways to achieve the dramatic look, but in this video, you will see how to get it with continuous lights.
Photographer Simon Wisbey recently did a campaign shoot for Lipsy London, shot at Premier Park Studios. The concept was devised by the creative team at Lipsy London head office and Simon then had to bring it to life.
Color toning is one of those final steps that can really make your photos both pop and add a very personal stylistic touch. This awesome video will show you an advanced color toning technique using Photoshop.
When you're first starting out in lighting, it's always a good idea to start out with single-light setups, so you can master the different parameters and qualities of light before moving into more complex and intricate designs. This helpful video will show you the vast versatility you can get out of a single light and an octabox.
Many people have asked me over time why most of my headshots are taken in portrait orientation and so tight? I used to joke around, saying I shot that way because I am a Virgo and my style of shooting is very much “in the box”. I then realized I could simply sum up three main reasons for why I shoot in portrait.
Throughout the course of my creative career, I’ve overdrawn my bank account a lot, shed tears over stress, and stared in the mirror for hours in dejection. I’ve made my share of professional and personal mistakes and certainly learned the hard way from all of those choices. I’ve lost, I’ve won, I’ve sacrificed, and I’m blessed to have earned.
When making Stories for Instagram, it's not always ideal to chat straight into the camera, and speaking while presenting a single photograph or a webpage that you've created can be fiddly. These simple tricks make the process a lot easier, and simplifying the workflow, making it more enjoyable.
You don't always need super complicated setups with many lights to create stunning beauty images. This awesome video will show you a great two-light setup and show you every setting and detail you need to know to make it work for you.
I have been doing photography for about 10 years. In that time I have moved from hobbiest film shooter to professional commercial photographer. This is what helped me make the leap.
Is it just me or do the same type of images keep appearing over and over again on screens and in print? Maybe it's the magazines I read or the people I follow, but I feel like I'm repeatedly seeing (and creating) the same type of landscape photographs. Here's how I'm trying to get out of the rut.
The cool thing about landscape photography is that there are generally a variety of appropriate settings for any specific scene or subject; it really comes down to your creative vision and the sort of final image you're looking to create. This great video talks about choosing settings to match what you're trying to portray.
Seascapes has always fascinated me!.I do not have a preferred vision for seascapes; I love both minimalistic and simple versions, as well as those highly dramatic ones full of action and movement. Here, I will share some of my tips on creating the latter.
I don’t get to shoot landscapes as often as I’d like, but when I do, I try to maximize the time I have in a place to the fullest extent. Many times, that’s just waking up for sunrise while my relatives snooze their alarms on a family trip, but eventually, when I started planning my own adventures, I had a hard time figuring out where to start until I discovered an incredible tool.
Composition in landscape photography is tricky business, as you don't have something like a person as an obvious subject, and you need to find harmony between numerous competing elements at vastly different distances. These two great videos will give you ten tips to improve your landscape compositions.
I don't have a vendetta with the color blue, or any colors for that matter; that would be odd. I do, however, remove the color blue either entirely or nearly entirely from the lion's share of my images, and for good reason.
Composition is a complicated topic. It's easy to throw out the Rule of Thirds because talking about things like balance, rhythm, and focus can get overwhelming but, if you stop at the Rule of Thirds, you could be robbing your images of complexity
Product photography can be one of the most technically challenging genres to undertake, but that doesn't mean you need every piece of gear you can think of to pull it off. In this video I demonstrate how to light a product shot with one light and a few inexpensive modifiers.
There are two ways to photography: registration and creation. Let me be clear that, before we get into a short essay about self-acceptance in art, neither is better than the other. While I’d like to teach you today about conscious creation, registration is the inherent nature of photography. But the way we modify and modulate light before it hits the sensor, as well as the entire process after it, is all up to us and not the camera manufacturer.
Matching the tones is the most challenging part of creating composite images. You may find numerous tutorials on the Internet about matching tones and smooth blending of the composite elements, however this technique by Antti Karppinen is the best I’ve seen so far as it even helps with blending images that are shot under different lights.
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