Fstoppers Gear Reviews

Fstoppers Reviews the OWC Thunderbolt 3 Pro Dock

In today’s computing landscape, laptops are replacing desktops for many on-the-go creative and business professionals. There are still, however, a few things that make a desktop setup more productive for many. A Thunderbolt Dock, such as the OWC Thunderbolt 3 Pro Dock, can help to bridge that productivity gap when you return home or to the office. Let’s take a look at how it stacks up in today’s article.

Fujifilm GF 45-100mm f/4: The GFX Mid-Range Zoom

The mid-range zoom is a staple for many working photographers. 24-70mm equivalent is one of those not-so-sexy-but-gets-the-job-done lenses that we all need in our bag from time to time. When it comes to M43, APS-C, or full-frame cameras, there are a plethora of options out there. In the form of the GF 45-100mm f/4, Fujifilm has attempted to address the lack of such a lens in the medium format world. So, how good is it?

Fstoppers' Long-Term Review of the Fujifilm X100V Mirrorless Camera

Fujifilm's X100 series of cameras have won the hearts of photographers the world over. As a second body on client shoots or a walk-around camera with excellent image quality for travel or recreation, there are not many cameras out there that can take its place. On the fifth iteration of the camera, the X100V, Fujifilm made some major changes to the camera, but are they enough to make it a worthwhile upgrade from previous models?

Fstoppers Reviews Venus Optics 14mm: A Mirrorless Wide Angle with Zero Distortion?

Both Nikon and Canon’s new mirrorless mounts don’t have huge libraries of existing lens designs available for legacy mounts. While adapters help, a native option can offer a number of advantages. Venus Optics, noted for their unique lens designs, has just launched a new wide-angle with native mount support for a wide variety of mirrorless cameras. Is it worth checking out?

The Contax 645 AF: A Very Longterm Review

The Contax 645 AF is a relatively small and lightweight medium format film camera dating from the late 1990s. It’s a camera that will largely appeal to analog photographers looking to benefit from the greater resolution of 120 film, while still retaining many of the advantages of a 35mm SLR in terms of speed and mobility.